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Aerial view of the city of Babolsar | Mazandarann Province

Iranshahr hosts handicraft exhibition


The handicraft, souvenir and tourism exhibition of Sistan-Baluchestan province is underway in ….Read more:(http://english.irib.ir/radioculture/iran/item/170892-iranshahr-hosts-handicraft-exhibition)

Delgosha Garden in Fars province (in IRAN)


In southern entrance of Tang-e-Sadi in Shiraz, and beneath Nodar castle, there is a large garden, which is known as Delgosha. The garden is composed of a very large ground area located alongside the Boustan avenue which leads to the tomb of Sa`di. The walls of the garden is made of mud but the entrance portel is made of clay brick.
From the entrance of the garden to the building, which is located in the center of the garden, there is a water font and a cement street. Four streets have been constructed round the building leding to the walls of the garden.

On the sids of some of these streets there are cypress and pine trees. Orange, palm and walnut trees have been planted in other parts of the garden. There is a large pond right in front of the building.
This building has been erected on a platform and the lower part of the walls is covered with plain stone. The building inside the garden comes in three stories and the portal is decorated with glaze tiling. The doors of some of the rooms are quite old.

There is an octagonal structure on the first floor in the center of which is located a pond covered with blue tiles The ceiling of the building is a simple dome in the middle of which there is a vent. There are four royal rooms with four angels on the sides of the octagonal structure.

Sialk Hills in Esfahan province (in IRAN)


Approximately 4,500 years BC., a community with an interesting civilization was settled in this area and their tools were of stone and bone.
There is a possibility that the former residents of this region had succumbed to their successors. Here, Elamite slabs of clay have been found, and due to the links of this community with that of the civilization of Shoosh (Susa), about 5,500 years ago, they learned to write.

Thereby, several clay slabs with the most ancient Elamite script are vestiges of this area. Evidences found in the cemetery between the two hillocks are related to the fresh immigrants to the Sialk Hill, which bears a strong resemblance to the discoveries in the Giyan Hillock of Nahavand and Khordin of Savoj Bollaq.

Masouleh in Gilan province (in IRAN)


Although regions to the south of the Caspian Sea are mainly covered with mountainous and traditionally virgin villages and settlements, but one cannot help mentioning Masuleh, 56 km. southwest of Rasht and 1050 meters above sea level, which is actually the most breathtakingly beautiful village here.

Approached from Rasht via Fuman by a dramatic pass and completely surrounded by forest, this perfectly preserved village appears to have grown out of its surrounding like a limpet clinging to a rock.

It`s formed of several irregular levels of terraced, pale cream houses with gray state roofs, interspersed with evergreen trees.
So steep is the slope that the familiar Iranian network of narrow alleys is entirely absent, and instead the flat roof of each level of houses forms a pathway for the level above.

The village has few facilities to offer the visitors, but it’s in spring setting makes it a perfect antidote to travel in the dry and dusty central plateau, and well worth a day trip from Rasht.
It`s bitterly cold in winter, with snow sometimes three meters deep, but the climate in summer is extremely pleasant and bracing.

Alisadr Cave in Hamedan province (in IRAN)


The Alisadr cave-lake, 120 km to the north-west of Hamadan near a village by this same name and at the foothill of Su-Bashi, is one of the strangest natural sights in Iran, in fact, the latter is an endless network of caves full of clear water.
The Alisadr cave-lake was discovered in the first half of 70s, and is now being visited by waves of local and foreign tourists. In some sections the caves are more than 100 meters wide.
In some sections the cave ceiling,is more than 10 meters high.

This cave is located 80 kilometers northwest of Hamadan, in the Subashi mountains close to Ali Sadr village and is one of the most beautiful natural features in the world.
This cave is composed of large and small spiral channels which are linked to one another.

In some sections the cave is 100 meters wide and 10 meters high.
Ali Sadr cave was discovered during the fourth and fifth centuries and today lots of tourists visit it in the summer.

About Si o Se pol in Esfahan province (in IRAN)


The Bridge of Allahverdi Khan across the Zayandeh Rud is a continuation of Chahar Bagh, the principal street in Isfahan. Built at the beginning of the 17th century at the order of Shah Abbas, it is named after the general-a famous war- chief- who was put in charge of the work. It is also called the Bridge of 33 Arches, or SioSe Pol.
It is 45 feet wide and 175 yards long but- although it is impressive looking- it does not have the same archaeological or aesthetic interest as the two other bridges farther downstream.

This bridge is located in the southern end of Chahar Bagh Avenue in Isfahan and was named after its founder. It is also known as Jolfa bridge
The bridge is made of bricks and stones. It is 295 meters long and 13.75 meters wide. It is said that the bridge originally comprised 40 arches however this number gradually reduced to 33.
According to numerous historical references concerning the buildings constructed during Shah Abbas the Safavid in Isfahan, it is so conceived that the construction work of this bridge was completed concurrent with the construction of Chahar Bagh in 1596. This bridge is called Si-o-Se Pol (in Farsi meaning 33 bridges) because it embraces 33 arches.

about Hafez (Hafezieh) in Fars province (in IRAN)


The celebrated Hafez was born in Shiraz in 1326 A.D. in Shiraz.
He is said to have known all the Koran by heart, hence earning the nick-name of Hafez (Memorizer).
With Ferdowsi he ranks as the most popular and best known poet in Iran. His collection (divan) consists of 693 poems, of which 573 are odes.
There are many who consider this modest work as the greate masterpiece of Persian Literature.
His tomb in Shiraz is visited by so many admirers that it may be regarded as a shrine.
Hafez spent most of his life in Shiraz and was buried in the Mosalla garden on the banks of the Roknabad stream, which he often celebrated in his poems.

His mausoleum becomes a forum for musicians and poets. Have known all the Koran by heart, hence earning the nickname of Hafez (Memorizer). With Ferdowsi he ranks as the most popular and best known poet in Iran.
His collection (Divan) consists of 693 poems, of which 573 are odes. There are many who consider this most work as the greatest masterpiece of Persian literature. So many admirers that it may be regarded as a shrine visit his tomb in Shiraz.

About Chehel Sotoun in Esfahan province (in IRAN)


This building -now a veritable museum of Persian painting and ceramics -was a pleasure pavilion used for the king`s entertainment`s and receptions.
It stands inside a vast royal park, but relatively near the enclosure, and was built by Shah Abbas II round an earlier building erected by Shah Abbas I. An inscription states that the decoration and frescoes were finished in 1647. Only two large historical frescoes date from the later period of the Zand dynasty. Unfortunately, the Chehel Sotun has been badly damaged since then, especially when the Afghans occupied the town and covered the paintings with a thick coat of whitewash. It is now being extensively restored under the aegis of the Institute Italiano Per il Medio Orient.

The pavilion opens onto the gardens by means of an elegant terrace, only a few steps high and supported by slender, delicate wooden pillars. In reality, there were never more than twenty columns, but they were reflected in the pool in the park, and so the Persian liked to call the building the (pavilion with forty columns) (besides, the number 40 had a symbolic meaning in Persia and expressed respect and admiration). Two rows of waterspouts and fountains in the shape of stone lions at the four corners carried water to the huge, elegant rectangular basin
The terrace is a marvel of elegance. The slender pillars support a light wooden ceiling with wide fretwork louvers. Here we should note the influence of Eastern Asian architecture. Part of the sumptuous decoration has disappeared. We must picture the back wall covered with mirrors, the doors of rare carved wood, and the pillars, each cut from a single lane-tree trunk, with their fine eneer, their brightly colored paintings, their mirrors and studs of colored glass. We still have the remarkable ceiling its beams, its covering, its painted wood louvers, and its carefully lay-work-rosettes and suns, stars, stylized fruit and foliage. The great wooden ceilings-a rare luxury in a country so acking in trees-are among guarded by four lions which support the central columns
The palace is called Chehel Sotun because of the number of the columns of this monument. Each column is formed of a plain tree on the skin of which a thin layer of colored board has been fitted. This layer was formerly covered with colored pieces of glass and mirror.

All the walls used to be decorated with large mirrors and colored peices of glass and beautiful paintings. Inlaid work was a characteristic of all doors and windows. The pool in front of the building is 110 meters long and 16 meters wide. Four stone lions have been placed on the four sides of a pond in the center of the hall from whose open mouths water streams down. And finally the unique ceiling of the 18 column portico and the mirror work on the ceiling of the hall are eyecatching. The paintings demonstrating the parties held by Shah Abbas the great, and reception of Mohammad Vali Khan, the king of Turkistan, the war between Shah Ismail the first and the Ottoman forces in Chaldoran, the reception party in honor of Homayun the king of India and in the eastern section, in front of the painting scene of Shah Abbas` war with the Uzbeks, is seen the war waged by Nader Shah of Afshar dynasty against the Hindus in Kornal.

about Bisotun or Bisutun in kermanshah province


The Behistun Inscription (also Bisitun or Bisutun, Modern Persian) Old Persian: Bagastana, meaning “the god’s place or land”) is a multi-lingual inscription located on Mount Behistun in the Kermanshah Province of Iran, near the town of Jeyhounabad in western Iran.
The inscription includes three versions of the same text, written in three different cuneiform script languages: Old Persian, Elamite, and Babylonian. A British army officer, Henry Rawlinson, had the inscription transcribed in two parts, in 1835 and 1843. Rawlinson was able to translate the Old Persian cuneiform text in 1838, and the Elamite and Babylonian texts were translated by Rawlinson and others after 1843. Babylonian was a later form of Akkadian: both are Semitic languages. In effect, then, the inscription is to cuneiform what the Rosetta Stone is to Egyptian hieroglyphs: the document most crucial in the decipherment of a previously lost script.

The inscription is approximately 15 metres high by 25 metres wide, and 100 metres up a limestone cliff from an ancient road connecting the capitals of Babylonia and Media (Babylon and Ecbatana). It is extremely inaccessible as the mountainside was removed to make the inscription more visible after its completion. The Old Persian text contains 414 lines in five columns; the Elamite text includes 593 lines in eight columns and the Babylonian text is in 112 lines. The inscription was illustrated by a life-sized bas-relief of Darius, holding a bow as a sign of kingship, with his left foot on the chest of a figure lying on his back before him. The prostrate figure is reputed to be the pretender Gaumata. Darius is attended to the left by two servants, and ten one-metre figures stand to the right, with hands tied and rope around their necks, representing conquered peoples.

Faravahar floats above, giving his blessing to the king. One figure appears to have been added after the others were completed, as was (oddly enough) Darius’ beard[citation needed], which is a separate block of stone attached with iron pins and lead. Bisotun is also one of the 80 treasures featured on Around the World in 80 Treasures presented by Dan Cruickshank